Vanderlove Leŧŧer

Greg Azorsky – Greg’s Doodle of the Day Project, launched on Facebook in 2016. Calling his style Abstract Minimalism, Azorsky brings color, structure and joy to doodling. 

Azorsky’s training spans the gamut of both right and left brain contexts of the cortex. He holds a Juris Doctor from Southern Methodist University as well as a Certificate in Graphic Design from the Kansas City Art Institute. When he is not running a successful business in the recognition and awards industry, Azorsky has been a Fellow of the Midwest Jewish Artists Laboratory (2015-2017); Speaker for The Awards and Personalization Association; Kansas City Art Institute instructor (2015); and Co-chairman of The Jewish Arts Festival (2010 and 2013). 

Greg has been a part of several group shows, but in March 2019, The Epsten Gallery in Overland Park, Kansas, presented his first solo exhibition that included 339 individual pieces covering three walls of the galley.  

Work for his Doddle of the Day Project are created on his iPad, touched up on a computer, printed on an Epson Surecolor P800 printer, and mounted on panels or framed. While the doodling started as a pastime, it has now become a prolific artform. Azorsky’s doodle pieces number in excess of 600. 

His Bauhaus Tel Aviv print has been purchased by buyers from around the world and is the best selling print in the Bauhaus Center in Tel Aviv, Israel.  Azorsky also has work in Galerie Schön, Bonn, Germany.

DR / Greg Azorsky, 2020
IG / KC Cool – Greg Azorsky

filfilfil, un projet de la Villa Bernasconi hors les murs 
L’art à la rencontre des habitant·e·s des Palettes

Le projet filfilfil s’installe pendant un an au cœur du quartier des Palettes, avec le désir de créer des actions artistiques, en collaboration avec les habitant.e.s du quartier. L’équipe pluridisciplinaire menée par Tali Serruya, et composée de l’architecte Thomas Philippon et du duo d’artistes visuels MACACO Press (Sabrina Fernandez Casas et Patricio Gil Flood), souhaite « tisser » avec la réalité locale, pour donner à voir et à entendre autrement, au moyen d’une série de propositions nées de la rencontre entre les artistes et les habitants.e.s du quartier. Le projet a déjà eu lieu dans le quartier jusqu’en été 2020 et à cet effet sort le 3^e tome du livre d’artistes édité par Macaco Press. Disponible sur demande.

Se Procurer les éditions…

Eh images :

José Angel Nazabal is a cuban artist born in 1994 and based in Havana City, Cuba. He works mainly in drawins, paintings and digital art. Nazabal obtained a bachelor’s degree in fine arts from the Fine Arts Nationl Academy San Alejandro in 2013. He also attended the Polytechnic Institute of Havana in 2014, earning a degree in architecture and urbanism. 

DR/ Courtesy of PB,
2020

Cahiers d’artistes
Martina-Sofie Wildberger
(@masowild )
Edited by @prohelvetia,
2019

LET’S PRETEND THIS IS NOT A HOUSE ON FIRE!
By Driton Selmani @selmani.driton
Available from @eugster_belgrade
Here.

Pour les fêtes de fin d’année, nous avons le plaisir de vous présenter un choix d’oeuvres de Adrien Savigny. 

Ses dessins à l’encre bleue et au graphite nous invitent à naviguer entre des îles imaginaires et des météores tombés de nulle part qui tracent de nouvelles cartes, dont les traits aux structures floues encerclent des formes d’une matière très organique.

Au moyen de l’encre, il travaille souvent la répétition d’une forme géométrique simple, le cercle, dont l’accumulation permet l’éclosion d’îles. Quant au graphite, il crée des aplats de tons gris qui construisent des formes minérales flottant aux confins de l’espace. 

My approach to drawing is intuitive. Using lines or circles, or by saturating surfaces, I wish to create a space in which full and empty forms meet. I do not seek to represent objects or a particular material. Using fine lines, drawn with ink or grey pencil, I would like to capture the viewer to plunge him or her into contemplating an A4 or large format. 
First of all, the grey pencil: the different tones of this technique, dry and bold, push me to explore all its facets. The geometrical or organic shapes delimiting the textures thereby created stem from my observations of nature or architecture. 
Next, my ink works pursue my initial pencil-based explorations. I use simple elements, which are repeated to interlace diverse forms until an organic material emerges. Variations of blues blend to form a relief. The resulting forms are maps of imaginary islands. Finally, the line drawings in black ink explore the fragility of simple gestures, repeated until they form a basic outline or screen. I live and work in Winterthur, Switzerland.

20 x 30 cm

30 X 40 cm

40 x 60 cm (grand format)

Nous sommes à votre disposition pour tout complément d’informations par e-mail. D’autres pièces sont disponibles sur demande.

DR / Adrien Savigny 💙 Vanderlove Letter, 2020